Author: Gabriel

Introduction

What was the stimulus? (details about refugees and Aylan Kurdi)

What did the stimulus make you think about? (you might want to outline some initial ideas that you had and then talk about relationships between fathers and sons)

What is your central question and how did you decide it? Where did it come from?

Item 1

In this assessment I will be covering areas of the stimulus which is about a young boy that is bad and gets into trouble within the streets. I will also lead on to talk about the historical,social and cultural well being of the character. First I am going to talk about Oscars historical background he had a really tough upbringing as his mum sadly passed away and his brother spent time in jail and came out to be a role model. His father is a police man who always obeys the law even if his family’s in the wrong. So now am going to be talking about his social life. The young boys social life was bad because he had bad friends, and he would be out late partying with the wrong people and he would be smoking with older boys and his dad could not hack his bad behavior. Last am going to talk about his cultural background. So the family is a English family that lives in Bermondsey, with a single father living with 2 kids. they do not have the best family, as most of their family’s in jail or passed away but gadly his brother is the only one standing and doing good and his dad wants tom to be like frank and excel in life and does not want tom to end up in jail or dead like his family.

It’s A cold dark night in Wardosworth Road in the dirty blocks called Wyvil Estate where’s their lots of neeky Gang bangers. But what you need to know is that in the dirty blocks people live in it just not normal people it’s weird old people

The techniques for the distancing effect that he done was achieved by the way that the actor or performer would not seem to act as their was an audience or a wall surrounding them

The audience can no longer have the illusion of being the unseen spectator at an event which is really taking place” (Willett 91). The use of direct audience-address is one way of disrupting stage illusion and generating the distancing effect. In performance, as the performer “observes himself”, his objective is “to appear strange and even surprising to the audience. He achieves this by looking strangely at himself and his work. Whether Brecht intended the distancing effect to refer to the audience or to the actor or to both audience and actor is still controversial among teachers and scholars of “Epic Acting” and Brechtian theatre.

By disclosing and making obvious the manipulative contrivances and “fictive” qualities of the medium, the actors alienate the viewer from any passive acceptance and enjoyment of the play as mere “entertainment”. Instead, the viewer is forced into a critical, analytical frame of mind that serves to disabuse him or her of the notion that what he is watching is necessarily an inviolable, self-contained narrative. This effect of making the familiar strange serves a didactic function insofar as it teaches the viewer not to take the style and content for granted, since the medium itself is highly constructed and contingent upon many cultural and economic conditions.

It may be noted that Brecht’s use of distancing effects in order to prevent audience members from bathing themselves in empathetic emotions and to draw them into an attitude of critical judgment may lead to other reactions than intellectual coolness. Brecht’s popularization of the V-Effekt has come to dominate our understanding of its dynamics. But the particulars of a spectator’s psyche and of the tension aroused by a specific alienating device may actually increase emotional impact.^[8] Audience reactions are rarely uniform, and there are many diverse, sometimes unpredictable, responses that may be achieved through distancing.

Actors, directors, and playwrights may draw on alienating effects in creating a production. The playwright may describe them in the script’s stage directions, in effect requiring them in the staging of the work. A director may take a script that has not been written to alienate and introduce certain techniques, such as playing dialogue forward to remind the audience that there is no fourth wall, or guiding the cast to act “in quotation marks”. The actor (usually with the director’s permission) may play scenes with an ironic subtext. These techniques and many more are available for artists in different aspects of the show. For the playwright, reference to vaudeville or musical revues, will often allow rapid segues from empathy to a judgmental attitude through comic distancing. A very effective use of such estrangement in an English language script can be found in Brendan Behan‘s The Hostage.

The comparison between dying to be famous and murdered by my boyfriend. There both to do with crime;because some parts are like the same and most things are different and am going to tell you about it.

First am going to talk about how there both stalkers. In murdered by my boyfriend Ashley (the girl) didn’t want to go out with Reece (the boy) no-more because he kept abusing her her so she had enough and said i don’t want to be with you no-more, so Reece starts to stalk her all the time.And in dying to be famous he stalks people and kills them straight away mostly people who hated him in school. But why are they doing this?

Dying to be famous he stalks people, the people who hated him in school the people who was being rude to him the people who bullied him and now he’s killing people hes becoming famous people are starting to respect him hes just doing it for power. In Murdered by my boyfriend hes abusing his powers like he will be like answer the phone, shut up do this do that. What else?

There both boys, but the age is different because Reece is 27 and poppy’s 15. Reece has just killed one person but poppy killed various of people. The way Reece killed his girlfriend was sad because the baby was in the next room crying, when he heard the baby crying he should of stopped but no he carried on hitting her with the iron board. Dying to be famous is different because he kills lots of people and strangles them to death.

They’re on the phone.

Bobby: yo, D What you on today?

D: Nothing much bro. Got no motive.

Bobby: Argh, am going front-line still.

D: Who’s at front-line?

Bobby: The team man.

D: Sn im Going to be there soon!.

Bobby: SHO!

Frontline.

Kaine: what you man saying?

Kads: Nothing still

G1: Nothing much

Bobby: Just Out’ere

Kaine: What we doing today?

G1: I don’t know, todays dead no catties.

Kads; Trust I don’t even mind because I get the most anyway.

Bobby: Shut up man always talking after you’re the biggest stunt.

Kads: You don’t get girls!.

Bobby: Yhyhyh.

G1: FAM, yesterday them opps came down here yesterday and took pictures and said they are on our block.

Kaine: WHAT!! There moist they came in the morning as well, Wastemans.

D: Who was it doe?

G1: The Town Yutes!

D: But who doe fam!?

G1: Grizzy and that.

Kads: Come lets ride out?

Kaine: Come you man on it.

Everyone Together: Yeah Man!

Kaine: G1 Call barnes for what skengs we need please.

G1: Say no more.

They’re On The Phone.

G1:Yo.

Barnes: Yo, what you need.?

G1: Skengs ak.

Barnes: Which Ones?

G1: 2 Shotties & 2 Pistols.

Barnes: SNM ill drop it off.

G1: SHO!.

Off The Phone.

Kaine: Call Sally.

G1: Why?

Kaine: Bring Man.

G1: Say no more.

They’re on the phone.

Sally: Who’s this

G1: Its G1 man

Sally: O, What’s good?

G1: Nothing much still

Sally: Good, so why you calling man?

G1: Basically the town yutes came to frontline and took pictures and said they’re on our block.

Sally: O Yeah, R.block Showed me yesterday still.

G1: Yeah he’s the that showed me.

Sally: There’re moist doe cause it was Sunday morning when everyone was sleeping  who has time for that loooool.

G1: Wastemans but anyway I need you and your team still.

Sally: Who you want?

G1: Bring Big A, DQ, Drops, R.block, L1, Fat T, T.rex, Jose and Jeremiah.

Sally: Say noting.

Off the phone.

2 Hours later they all meet at frontline.

D: Who’s jumping in the 4 door?

Kaine: Am driving.

G1: You got no license.

Kaine: So what, shut up it don’t matter your riding your ped anyways.

G1. True

Bobby: Im getting in the 4 door.

D: Am coming in.

Kads: Mans jumping in.

Sally: I am.

G1: What about the others.

Sally: They all gave peds.

G1: Say nothing bro.

Kaine: What are you man ready yeah?

D: Come lets go.

20 Minutes they hit town.

Kaine is just shooting in the air, everyone’s just running

G1 is chasing people on his ped.

DQ Catches someone and stabs him in the heart so he dies

He caught Y.J.bandz.

Bobby: What you man saying. Wasteman

G1: Bloody wasteman.

Kaine: THERES GRIZZY!

G1: SHO mans going to do that his not cutting from my ped.

Bobby: Just catch the guy fam.

G1: OK!

D: LOL!

G1 has caught grizzy!

DQ: Why you switching sides you neek.

Jose: Bang him fam

Kaine: You’re a neek uno

Grizzy: Shut up

Kaine: Your buzzin we have the straps you don’t

A witness saw everything that happen

So she called the police.

G1: Buss a cap in his head bruv.

Kaine: Am doing it.

Kads: Let me do it please.

Someboddy unknown came running it was grizzys friend.

G1: WHOS THAT!.

HE shot G1 In hes arm.

Kads: Kads shot him in his Leg.

Kaine: Shot grizzy.

Everyone ran out the scene but they couldn’t because the police came and everyone got arrested except for sally d and bobby because they got away.

This Genre was crime and gang. G1 Got 15 years, Kaine goy 20 years Dq got 5 years because he snitched.

In Homicide you killed someone and gets caught so you are getting interrogated.Therefore you admit you killed the person you said ” It was self-defence, he just came at me”.So you admit you killed the person so you are serving the consequences.

It builds suspense because it looks like they’re having a friendly talk because the way they’re looking eye to eye but really they’re not having a friendly talk.Tom Chaney killed Mattie’s dad.Tom is about to kill Mattie but Mattie kills Chaney. We.We didn’t know that was going to happen.In Homicide you killed someone and you get caught so because you said “it was self-defence he just came at me” So you admit  you killed someone so you are going to serve the consequences.

In many fiction texts authors use the device of the unreliable narrator to engage the reader. This technique works together with dramatic irony to force the reader to use their own perceptiveness and experience to solve the puzzles in a text.

David was hearing voices I understand  what’s going , telepathy when I can communicate from other peoples mind David is a weaker kind of telepath

It’s 2045 and I’m in the Olympics and that means if you don’t past the next round you DIE. I’ve been working so hard so I don’t die,the thing is I’m up against people i know how can they do that hut I still have to do it if I want to stay alive.

45 minutes until I have to race against my friends. I heard that one of my friends Jimmy killed himself because he can’t handle the pressure. Look at what they are doing, 20 minutes left until the race starts I need to start warming up. Beside me I see bobby my class mate we look at each other he looks sad because he know he will lose, he was the slowest in our year so i really felt sorry for him. 10 minutes left my mum called me and said good luck i could hear her crying i said ”Don’t worry mum I’m going to do something about it” she said are u sure son i said yes mum i I’m. The race started lane 1 Gabriel lane 2 jimmy lane 3 Powell lane 4 Chris lane 5 harry, every body getting ready to hear the gunshot, BANG!! the race starts harry is leading then Gabriel is 2 jimmy is behind Gabriel jimmy was one of the slowest hows he behind Gabriel, Gabriel using all he’s power then he overlaps Harry, Jimmy drops the hole crowd shocked then Gabriel looks back then he stops and goes help jimmy to the finish line Gabriel and jimmy comes last so 1 was Harry 2 Powell 3 Chris 4 Jimmy&Gabriel. So we all know what that means Gabriel’s going to die with a Good reputation.